Friday, January 18, 2019

7th Chennai Film Festival 2019 : Werner Herzog Retrospective


7th Chennai International Documentary and Short Film Festival 2109

6-10 Feb; Goethe-Institut / Max Mueller Bhavan, Chennai


Werner Herzog Retrospective

1) Land of Silence and Darkness  / Das Land des Schweigens und der Dunkelheit
Colour, 85 min., 1971


The Land of Silence and Darkness tells about the destiny of blind-deaf people, who – due to their lack of perceptive faculty – seem to be almost unable to interact with their surroundings in a creative way. The movie helps us to understand the dramatic situation of these people, who are locked in their darkness but still struggle to build up a connection between their existence and the outer world.

The documentary focusses on the daily life of blind-deaf 56-years-old Fini Straubinger but also covers the stories of other blind-deaf people that Fini gets to meet in an unpretentious, moving way.

2) Little Dieter Needs to Fly / Flucht aus Laos
Colour, 80 min., 1997


Driven by his wish to become a pilot in the U.S., 18-years-old Dieter Dengler leaves his hometown in the German Schwarzwald. After joining the Air Force, he starts a career as a fighter pilot at the US-Navy. When his airplane gets shot during a mission in the Vietnam War, Dengler is been held captive. Only under great difficulties he manages to escape to Thailand and back to his unit.

Werner Herzog meets the former fighter pilot in his new domicile in San Francisco. Together they visit his old home in the Schwarzwald and travel to Far East, where Herzog asks Dengler to reenact stations of his escape. A follow up tells about Dieter Dengler’s funeral on a soldier cemetery in Arlington in 2001.

3) God’s Angry Man / Glaube und Währung 
Colour, 44 min., 1980


God’s Angry Man (Literal translation of the German title: “Faith and Currency“) is a documentary about the U.S.-American television preacher Dr. Gene Scott. Almost every day Scott talks about his ideas of Christianity on T.V. In the first place they are about gaining enormous amounts of financial donations. Therefore – according to Scott – great income signifies a “religions” triumph.

Werner Herzog accompanies the controversial Dr. Scott who has been accused of tax evasion, fraudulent conversion, defamation and blackmailing several times. The director abstains from personal judgment on Scott: The statements of Scott and interviews with his family serve the viewer to form his or her own opinion.

4) Wheel of Time / Rad der Zeit
Colour, 80 min., 2002-03


Werner Herzog observes Buddhist ceremonies and rituals in three places: At Bodh Gaya (India), Mount Kailash (Tibet) and Graz (Austria) and specifically focusses on the Kalachakra-Initiation, held by the Dalai Lama. The documentary shows the first film record of secret Buddhist rituals ever and covers footage of a pilgrimage to Holy Mount Kailash in Tibet as well as exclusive interviews with the Dalai Lama.

5) The Wild Blue Yonder
Colour, 81 min., 2005


An alien reports about his escape from a solidified planet in a far galaxy. He tells about his attempts to settle on earth and finally discloses his secret knowledge on how to travel in the opposite direction. Seeking for new living space five astronauts travel to space and explore the abandoned planet, the “wild blue yonder”. When they return home after 820 years they find the world being deserted.

Monday, January 7, 2019

7வது சென்னை பன்னாட்டு ஆவணப்பட & குறும்படவிழா 2019 : சிறப்பு அம்சங்கள்

7வது சென்னை பன்னாட்டு ஆவணப்பட & குறும்படவிழா 2019 : 6-10 பிப்ரவரி, மாக்ஸ் முல்லர் பவன், சென்னை



சிறப்பு அம்சங்கள் :

1) ஜெர்மானிய மூத்த இயக்குனர் வெர்னர் ஹெர்ஜாக் ரெட்ரோஸ்பெக்டிவ் - திரும்பிப்பார்த்தல்
2) தில்லியைச் சேர்ந்த மூத்த இயக்குனர் / படத்தொகுப்பாளர் ரீனா மோகன் ரெட்ரோஸ்பெக்டிவ் - திரும்பிப்பார்த்தல்
3) ஆனந்த் பட்வர்த்தன் : தொடக்கவிழா சிறப்பு விருந்தினர்
4) கொல்கத்தாவைச் சேர்ந்த கவனம் ஈர்த்துவரும் இயக்குனர் சுப்ரியோ சென் : சிறப்புப் பார்வை
5) 9 பெண் இயக்குனர்கள் எடுத்த படங்கள் : தொகுப்பு - அர்ச்சனா பத்மினி (கொச்சி)
6) ஓவியர்கள் எடுத்த படங்கள் : தொகுப்பு - சி எஸ் வெங்கிடேஸ்வரன் (திருவனந்தபுரம்)
7) காந்தி - காந்தியத்தன்மை - சினிமா விமர்சனம் : தொகுப்பு - அம்ரித் காங்கர் (மும்பை)
8) பன்னாட்டுப் படங்கள் :தொகுப்பு - அமுதன் ஆர்.பி. & மாக்ஸ் முல்லர் பவன், சென்னை
9) இந்தியப்படங்கள் : தொகுப்பு - அமுதன் ஆர்.பி.
10) தமிழ்நாட்டுப்படங்கள் : தேர்வு - அருண்மொழி, ஜீவா பொன்னுசாமி & ஜோஷ்பின்

வருக! வருக!

அமுதன் ஆர்பி
இயக்குனர், 7வது சென்னை பன்னாட்டு ஆவணப்பட & குறும்படவிழா 2019

7th Chennai Film Festival 2019 : Gandhi, Gandhiness and Cinema Vimarsha : Curated and Presented by Amrit Gangar


Chennai International Documentary and Short Film Festival 2019
6-10 Feb; jointly organised by MARUPAKKAM & Goethe-Institut, Chennai

GANDHI, GANDHINESS AND CINEMA VIMARSHA
 Curated and presented by Amrit Gangar

Curatorial Note




The year 2019 combines two 150th birth anniversaries – of Bāpu and Bā! It is Mohan-Kastur (MK) 150! Mohan never liked movies but yet he remained one of the most filmed persons in the world, wherever he went camera followed him. Narrative films continue being made around his persona in India and abroad. He remains a phenomenon. And he never liked cinema.

What is, however, relevant is Gandhiness; being close to Gandhian ethos and praxis. What are the factors that could essentially constitute Gandhiness? How could they be applied to making life and films in the changing environments of overwhelming consumerist forces and globalization in the Age of Technology? How could the omniscient and omnipresent moving image be a negotiating agent? Could the ancient Indian wisdom perceive the all-pervading embrace of the Trinity of Jnāna (Knowledge), Abhyāsa (Practice) and Vairāgya (Detachment)?

Are there films and filmmakers and artists who believe in the rigor of austerity and yet produce profound thoughts through cinematographic minimalism? The holistic Gandhiness becomes more enduring and illuminating than the so-called Bollywoodian Gandhigiri.

In his 150th birth anniversary year, how could Bāpu be evoked and invoked in a more interactive way through cinema? In the process, this curated event will turn into a kind of an interactive workshop.

Vimarsha = Deliberation




Amrit Gangar
is a Mumbai-based author, curator, film theoretician and historian, working in the field of cinema for over three decades. He has worked both on production and creative sides of a number of film and video installation projects from numerous European and Scandinavian countries. Besides his curatorial engagements, for the past decade he is engaged with his theoretical concept of Cinema of Prayoga and has presented it at various venues including the Tate Modern, London; Pompidou Centre, Paris, etc. He had conducted a master class on Cinema of Prayoga for Ph.D. students at the Sorbonne University, Paris.

Amrit Gangar has authored and edited several books on cinema in English and Gujarati, two of which have been awarded by the Gujarat Sahitya Akademi. He was artistic consultant along with Marina Abramovic on Total Masala Slammer, a dance-theatre production directed by Michael Laub, produced by Hebbel Theatre, Berlin. He was also a production executive on the Lars von Trier-Jorgen Leth collaboration, The Five Obstructions besides being part of Classic Incantations: The German Film Orchestra Babelsberg Performs A.R Rahman during the Germany Year in India, 2011-2012.

Over the years, he has been conducting many interactive film workshops all over Gujarat. Gangar was Indian correspondent for ARTiT, a Tokyo-based bilingual art journal and the Film International published from Tehran. At present he is on the Editorial Board of the bilingual monthly Chalachitra Sameeksha published by the Chalachitra Academy of Kerala

Thursday, December 20, 2018

7th Chennai Film Festival 2019 : Indian films

7th Chennai International Documentary and Short Film Festival 2019

List of Indian films

1) Two Flags
Dir: Pankaj Rishikumar; 86 min



'Two Flags' chronicles the life and politics of a quaint French town: Pondicherry (South India). As the 46000 Tamil French people belonging to the Tamil ethnic community, gear up for the French Presidential elections (2017) the film explores the idea of identity, citizenship and home in the post colonial era. Shot between 2012 to 2017, the film is a visual journey through the town, its homes and its people. ‘Two Flags’ is a chronicle of a legacy that is not easily evident, but manages to shine through ordinary events and occasional mishaps, and which brings together this tiny population in celebration, in grief, in anxiety and in serene acceptance.

2) The Tribal Scoop
Dir: Beeswaranjan Pradhan; 53 min



A small town of Sundergarh lying in the interiors of the state of Odisha has never been touched by modern civilization, but is paying for it with the blood of the tribal people living there. A people so backward that they still depend on forests for survival. And even those forests are fast being uprooted to make way for urban life.

In the midst of this cockpit of destruction there's one hope that they are desperately clinging on to- Hockey. The game that was once the only form of entertainment for a people cut off from the rest of the world has now become a weapon with which Sundergarh is trying to claim it's place in a world that never recognized it.

3) We Have Not Come Here to Die
Dir: Deepa Dhanraj; 110 min









On January 17th 2016 a Dalit, Phd research scholar, and activist Rohith Vemula unable to bear the persecution from a partisan University administration and dominant caste Hindu supremacists hung himself in one of the most prestigious universities in India. His suicide note, which argued against the “value of a man being reduced to his immediate identity” galvanized student politics in India. Over the last year thousands of students all over the country have broken the silence around their experiences of caste discrimination in Universities and have started a powerful anti-caste movement. The film attempts to track this historic movement that is changing the conversation on caste in India.

4) The Death of Us
Dir: Vani Subramanian; 76 min



The debates on the death penalty today are marked by a cacophony of strident assertions. Going against this tide is The Death of Us - a quiet contemplation on a range of cases in which the death penalty was pronounced, ending in execution, commutation to life sentence, acquittal or even pardon. Speaking only to those who have been on death row or those very closely involved with the cases, we engage in complex conversations on crime and punishment, revenge and justice, popular rhetoric and personal experiences. Only to find ourselves confronting larger ethical and moral questions across time and space.

5) Thadayam
Dir: Dhamayanthi; 55 min; fiction















Thadayam is a one hour meeting between two lovers after many years.  Jeny is a divorcee and a cancer survivor who had been in love with Deva. Due to circumstances they couldn’t get united in marriage.  Deva who is married to another woman comes to meet Jeny who is in death bed because of her illness.

In the midst of reminiscences, complaining about each other for whatever had happened, there are still expressions of love and charm as they cry, smile and hug.

6) The Color of My Home
Dir: Sanjay Barnala & Farah Naqvi; 48 min



What happens to people when they are violently displaced? Forced out of their home and ancestral village, buffeted by winds of hate, running for their lives, scattered like human debris in relief camps. Never able to return. How do they rebuild new homes and new lives, with hearts unable to leave the old one behind?

7) Santhana Gopala
Dir: Sandeep Ravindranath; 8 min; short fiction

A woman trapped in the dutiful bondage of an Indian arranged marriage grapples with the stigma of childlessness.

Her faith is her only pillar of strength as an oppressive social order strives to create a servile and dehumanized other, whose subjugation is then ensured.

8) Reason (work in progress)
Dir: Anand Patwardhan; 261 min












Reason takes us to a macrocosm – India, the world’s largest democracy. Its eight chapters are a chilling account of how murder and mind control are being applied to systematically dismantle secular democracy in a country which once aspired not just to Liberty, Egalite and Fraternity, but to lead the post-war world out of its mindless spiral of violence and greed.

9) There is No Moon
Dir: Ajay TG; 26 min

This film bears witness to the gross neglect of environmental and human rights by the so-called ‘development’ Sponsored by the state in Chhattisgarh, India.

10) Those Stars in the Sky
Dir: Debaranjan; 58 min

When people die, they become stars is a common belief. This film promulgates such belief in view of those killed by the State forces like in police firing, fake encounter, in custody and by the private armies of the corporations. Killing of common people and the rise of corporations have been a reality since economic reforms in India.

11) Tin Satyi
Dir: Debalina; 51 min



Tin Satyi…(In Fact…) captures the essence of three different life-stories that are defying the hetero-patriarchal norms of society at every breath. Aimed at understanding philosophies of non-conforming desires, the film also depicts ripples created by these lives in the society.






12) Squeeze Lime in the Eye
Dir: Avijit Mukul Kishorel 57 min


Kausik Mukhopadhyay’s art objects lie on the peculiar intersection of toy, machine and organism. Made out of discarded household gadgets, they have distinct personalities and quirks. They are noisy, humorous and sometimes break down. They invite the viewer to engage and complete the narratives embedded within them. These narratives contain signifiers of political, personal and art history. There is much beauty and poignancy in Mukhopadhyay’s fragile art works. This film takes an intimate look at Mukhopadhyay’s journey as an artist and teacher.

13) Coral woman
Dir: Prima Thuvassery; 52 min

This will be a filmmaker's journey with Uma, a certified scuba diver, exploring the underwater world & the threat to coral reefs of Gulf of Mannar, India.

Born in a traditional family in Tamil Nadu 53 years old Uma, a homemaker, has been trying to bring attention to this alarming environmental issue through her paintings.

It is, in fact, these corals that inspired Uma to learn how to swim, dive & paint in her 50s.

14) Koothu
Dir: Sandhya Kumar; 52 min


In many villages in Tamil Nadu, a theatre tradition still links people with a past. Closely connected with religion and caste rituals, koothu brings to life stories about gods, demigods, kings and demons from the Indian epics.

A typical koothu performance is an all-night show in which performers wear elaborate make-up, costumes and wooden ornaments, and simultaneously sing, dance and act on stage.

15) The Slave Genenis
Dir: Aneez K Mappilla; 64 min



The documentary ‘The Slave Genesis’ deals with the social transformation of Paniya tribals, who belong to South India’s hill district of Wayanad. ‘Paniya’ literally translates to ‘worker’.




Wednesday, December 19, 2018

தமிழ்மொழிப்படங்கள் வரவேற்கப்படுகின்றன!


7வது சென்னை பன்னாட்டு ஆவணப்பட மற்றும் குறும்படவிழா 2019
6-10 பிப்ரவரி; மாக்ஸ் முல்லர் பவன், சென்னை

தமிழ்மொழிப்படங்கள் வரவேற்கப்படுகின்றன!



போட்டியில்லை; பரிசு இல்லை; நுழைவுக்கட்டணம் இல்லை.
2017 ஜனவரிக்குப் பிறகு எடுக்கப்பட்ட படமாக இருக்கவேண்டும்.
படங்களின் கரு எதைப்பற்றியும் இருக்கலாம்.

காலவரையறை :
குறும்படங்கள் : அதிகபட்சம் 20 நிமிடங்கள்
ஆவணப்படங்கள் : காலவரையறை இல்லை

ஆவணப்படங்கள் / குறும்படங்களை MP4 file வடிவில் அனுப்பவேண்டிய கடைசி நாள்: 15 ஜனவரி 2019
அனுப்பவேண்டிய மின் அஞ்சல் : marupakkammadurai@gmail.com
திரைப்படவிழாவின் தேர்வுக்குழு பரிந்துரைத்த படங்கள் மட்டுமே திரையிடப்படும்.
தேர்ந்தெடுக்கப்பட்டு, திரையிடப்பட்ட படங்களுக்கு சான்றிதழ் வழங்கப்படும்.


அமுதன் ஆர்.பி.
இயக்குனர்
7வது சென்னை பன்னாட்டு ஆவணப்பட மற்றும் குறும்படவிழா 2019

Thursday, December 13, 2018

7th Chennai International Documentary and Short Film Festival 2019

Dear friends!

We are happy to announce that 7th Chennai International Documentary and Short Film Festival 2019 will be held on 6-10 Feb 2019.

The film festival is jointly organised by MARUPAKKAM and Goethe-Institut, Chennai.


Amudhan R.P.
Festival Director
7th Chennai International Documentary and Short Film Festival 2019

Friday, April 20, 2018

6th Chennai Int Doc & Short Film Festival : Some Moments # 3

6th Chennai Int Doc & Short Film Festival : Some Moments # 3

Arunmozhi and Surya Lous

Sadanand Menon

Nathan G with this team

Ujjwal Utkarsh

Rohini 
Satyaraj
Audience
Renu Savant

Arunmozhi and C Karunakaran






14th Chennai Int Doc & Short Film Festival 2026 : We welcome you!

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